Miller : Even if he’s not your typical superhero, Deadpool still has a ton of action and special effects. Was there anything about Premiere Pro CC that worked particularly well for Deadpool? The idea that Premiere Pro CC was built from scratch with filmmakers who are very picky and discerning made me think that it was going to be a product that would have some legs. Coincidentally, he’d just finished using Premiere Pro CC to cut Gone Girl and told me what a good experience he had. One of the people I asked was David Fincher. I’m not ashamed to admit that I don’t know everything so I went out and I asked questions. Miller : When I got the gig for Deadpool, I talked to a lot of people in the industry. ![]() ![]() ![]() How did you get introduced to the idea of editing with Adobe Premiere Pro CC?
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